METHODS

PROCESSES

COMBINATIONS.

My practice reflects my relationship with both the countryside and the city, their history and development and how the grid has come to dominate our lives.

Using predominantly natural materials, paint, applied molten metals and a router to draw, I aim to question and explore their properties and within these the dynamics of special awareness through chance.

The notion of the handmade is also an important element through which individual marks can become deceptively creative through chance collisions.

 


"Making"

  1. BSc Agriculture. Bangor
  2. NA
  3. Foundation Art and Design. Wrexham.
  4. 2011-2012
  5. BA. Fine Art. Manchester.
  6. 2012-2015
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